Alan Teitel

While much of my work has lived behind the camera or inside the algorithms of entertainment technology, I’m reaching out now to introduce a new chapter in my creative journey, one that I believe aligns beautifully with the evolving landscape of fine art.

For decades, I’ve worked as a cinematographer and technologist, fortunate to have filmed around the world with extraordinary people and teams. I’ve had the privilege of creating films that inspired global action, helping to protect children, save dolphins from tuna nets, and rescue millions of greyhounds. Some of my visual work has gone viral (a slow-motion match lighting drew over 2 million views in 10 days) and was even referred to by Michio Kaku as “science porn.”

Now, I’m applying that same passion for motion, light, and meaning to a new kind of visual art: fractal-based, mathematically generated images, printed using the most advanced 2.5D textured technologies. These prints bring color, form, and mathematical beauty into the tangible world, some as wide as six feet each, one entirely original and deeply detailed. They’re created through code and logic, yet they radiate warmth, emotion, and humanity.

Some pieces are printed using lenticular techniques that add kinetic motion, engaging viewers from multiple angles and reintroducing the dynamism I’ve always pursued through film.

If you’re curating for collectors who are looking for something truly innovative where mathematics, narrative, and texture merge, I’d love to speak with you. I’m releasing new work each week and would welcome the opportunity to show the collection either online or in person.